DJs that prefer to remix their music tend to like turntables as opposed to MP3, DVD or CD players. However, turntables come at a higher price than players do. Gemini makes a quality turntable at the affordable price of just around £400. Even though direct drive turntables tend to be higher priced that the ones that are belt driven, many DJs prefer them because they can play records faster with no time lag.
Players are a great deal more affordable than turntables, but they do not allow back spinning or scratching of records. Players simply provide an output of sound such as on a DVD or CD and facilitates no scope for alteration. If you are a DJ who plans to play only original records, then you should go for the less expensive option of a player.
If you are a Disc Jockey who would like to lower your expense on DJ equipment, you should shop around for your speakers. The cost of speakers generally depends on their output. You can choose low wattage speakers to save money. Some smaller woofer-type speakers are available and can output stereophonic sound for the affordable price of around £20 each.
Another great way to lower the cost of your DJ equipment expenses is to purchase it all in bulk as a package. These packages typically include all to the basic components and required peripherals such as headphones, which are free in most cases. Discounts are usually available for the DJ that chooses to buy a package. There are generally some great packages available for mixers.
Although the use of cheaper equipment may take a toll on the output of music, but a talented DJ can make up for it with a little creativity. Especially if you are uncertain of your future as a DJ and just want to give it a go to see how you like it, you should consider purchasing cheap DJ equipment.
By: Quality DJ
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On the other hand, some people prefer to have the two tracks at the same level. You can even have the live record louder than the cued record if you really want to – again, there’s no right or wrong way to do this, just find the solution that works best for your ears. You can change the balance between the two records at any time, if you want to check the sync more closely.
It can be quite difficult to tell if your cued record needs to be faster or slower to match the live track, even at the best of times – if you’re listening to the cued record with one ear on the headphones and the live track blasting out all around you, it gets even harder again. However, the more you practise, the less you’ll be guessing – you’ll learn (hopefully) to identify which track is running faster and get them matched with fewer errors as time goes by.
As I mentioned previously on the online DJ tips site, it’s often much harder to pick out which disc is slow when the tempo difference is small. Large tempo mismatches will send one record galloping off much faster than the other, so this should be quite easy to spot and rectify.
When the two records are almost (but not quite) in sync, you may hear some minor phasing artefacts. This is difficult to describe, but happens when two identical (or near identical) sounds, such as a typical house music bass/kick drum, are played slightly out-of-time with one another. This creates an interference wobble in the waveform, which will differ depending upon which kick is coming first and how much delay is between the kicks. After an extensive amount of listening experience you should be able to detect the sonic differences between a cued record that’s too slow and one that’s too fast.
Again, this is one of the most difficult skills of Djing, and there’s no magic formula to getting it right – what you need to do is keep mixing as many discs as possible, change the tempo of one record so that it’s running slightly too fast and listen to what that sounds like. Then change the tempo again so it’s running slightly too slow and listen to that. Keep doing this until you can tell the difference between how the two cases sound. You should then be able to apply this knowledge to pretty much any two records that you might want to mix, and your mixing abilities can develop from there.
If you are still playing two copies of the same track, then setting them slightly out of time will cause a very distinct phasing effect – this is sometimes deliberately used as a more advanced DJ effect, but it also is a good way of illustrating the concept of ‘waveform wobble’ or phasing itself.
By: DJ Foley
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Music doesn't get released quickly enough on vinyl. You're a busy Mixmaster, and don't have time, or room, to keep up w/ 1000's of pieces of vinyl anymore. Plus any dj would prefer to carry 5000 records with them over 500, it adds to the diversity of any play list.
So what are my options?
There are a few quality software programs out for the wedding, mobile, club, and radio mix show djs. But first you need quality tools to use the programs. The first decision is whether to purchase a cdj or vinyl turntables. There's an enormous amount of cd dj equipment on the market now.
If your choice is for the cdj then any of the Pioneer models serve as the industry standard. Not that other there aren't other brands that get the job done, but the job tends to be more simplified with the pioneer cdj 1000 mk3 cdj with mp3 capability. Now if we're talking dj vinyl turntables, then Panasonic's Technics SL-1210M5G Quartz Synthesizer Direct-Drive Turntable is the best in the business, forever and always the industry standard.
Whatever the choice, please stay away from cheap dj equipment, in the end you're going to pay the same cost as the expensive equipment through the upgrade process. As a dj, you will ALWAYS be upgrading your equipment, so get used to it!
Now what dj mixing software do I use?
Assuming that you already have a laptop in hand, and a backup to support the world travels that you do…We'll now give our awards to the best dj software on the market.
The award for dj mp3 player of the year goes has to go to the Rane SSL Serato Scratch Live. But the Stanton Final Scratch 2 for Macintosh and Windows is a very close runner up. Both dj software packages may be used with a pair of a pair of cdjs and vinyl dj turntables.
No matter what your choice is, dj mixing software WILL NOT make you a better dj. You still have to put in a lot of practice time to master music mixing, cutting, and scratching. All these tools do is give you a leg up on your song selection. Please respect the art form and develop your technique.
If you're looking for the best place to purchase and learn about being a dj, visit StreetDrops.com.
–About TyMeLyNe LLc
TyMeLyNe LLc is a multimedia management company based out of Toledo, OH. Online holdings include the online reality show at TyMeLyNeLife.com, UrbanSyndication.com Which Features Online Music Videos, MyHTMLpage.com featuring text books and software, and StreetDrops.com
By: Dj One 1x Tyme
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